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Artists Management Zurich

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KS Nina Stemme - Sopran

Presse

Tristan und Isolde (Isolde), Glyndebourne Festival Opera, August 2007

«The thrilling triumph was Swedish soprano Nina Stemme, a seasoned yet youthful Isolde, who combined opulent vocal timbre with emotional intensity and physical allure. How often is that found in one Wagnerian soprano? Hammer on the door for returns.»

Fiona Maddocks, Evening Standard, 02.08.2007

«The thrilling triumph was Swedish soprano Nina Stemme, a seasoned yet youthful Isolde, who combined opulent vocal timbre with emotional intensity and physical allure. How often is that found in one Wagnerian soprano? Hammer on the door for returns.»

Fiona Maddocks, Evening Standard, 02.08.2007

«And his Isolde - Nina Stemme, nothing less than a sensation - could always sing on the interest not the capital. Striking in her beauty, the transformation from wounded, angry woman to intoxicated lover was more startling than I've ever seen and heard it. Her whole countenance softened in Act II to achieve ultimate inwardness in the Liebestod. The world's stages will be vying for her.»

The Independent, 03.08.2007

«And his Isolde - Nina Stemme, nothing less than a sensation - could always sing on the interest not the capital. Striking in her beauty, the transformation from wounded, angry woman to intoxicated lover was more startling than I've ever seen and heard it. Her whole countenance softened in Act II to achieve ultimate inwardness in the Liebestod. The world's stages will be vying for her.»

The Independent, 03.08.2007

«Stemme, on the other hand, is in glorious voice, as supple and subtle in her final Liebestod as she is fiercely impassioned in the opening sea voyage.»

Hilary Finch, The Times, 03.08.2007

«Stemme, on the other hand, is in glorious voice, as supple and subtle in her final Liebestod as she is fiercely impassioned in the opening sea voyage.»

Hilary Finch, The Times, 03.08.2007

«Nina Stemme is absolute mistress of the role of Isolde, alive to all its nuances of feeling as well as its extremes, and singing with unfailing sureness of pitch and warmth of tone.»

Rupert Christiansen, The Telegraph, 03.08.2007

«Nina Stemme is absolute mistress of the role of Isolde, alive to all its nuances of feeling as well as its extremes, and singing with unfailing sureness of pitch and warmth of tone.»

Rupert Christiansen, The Telegraph, 03.08.2007

«Stemme caused a sensation when she made her role debut as Isolde at Glyndebourne in 2003, and she went on to record the role with Placido Domingo. It's easy to see why he chose her. With a golden tone, endless reserves of power and subtle use of pianissimo, she could well be a benchmark Isolde for years to come.»

Warwick Thomposon, Bloomberg.com, 03.08.2007

«Stemme caused a sensation when she made her role debut as Isolde at Glyndebourne in 2003, and she went on to record the role with Placido Domingo. It's easy to see why he chose her. With a golden tone, endless reserves of power and subtle use of pianissimo, she could well be a benchmark Isolde for years to come.»

Warwick Thomposon, Bloomberg.com, 03.08.2007